Michael Jacksons This Is It 2009 Extras 1 💯 Working

The documentary team provided insights into how the video screens and stage design were tailored to create a truly immersive experience, meant to be the biggest show of his career.

Michael stops the band mid-chord. The music is too fast. He doesn't yell; he whispers. "No... it’s dragging... but it’s rushing? We need the lilt ." He then scats the rhythm to pianist Michael Bearden, conducting the silence between the notes. Watching "Extras 1," you realize Jackson wasn't just singing the song; he was sculpting the air. He apologizes to the crew—"God bless you, forgive me"—before running the segment six more times. It is a portrait of kindness under pressure.

In conclusion, Extras 1 to Michael Jackson’s This Is It (2009) serves multiple functions: it documents the labor behind spectacle, humanizes an exceptionally private superstar, clarifies the unfinished nature of a major theatrical project, and contributes to ongoing debates about posthumous representation. For scholars of performance, media studies, and fandom, the extras are not mere bonuses but vital components of the primary text—essential for understanding what This Is It sought to achieve and what it ultimately meant to audiences still grappling with Jackson’s complex legacy.

Over 5,000 dancers from around the world arrived in Los Angeles for a chance to share the stage with their idol. michael jacksons this is it 2009 extras 1

| Bonus Feature | Standard DVD | Blu-ray Edition | | -------------------------------------------- | :----------: | :-------------: | | "Staging the Return" Documentaries (2 parts) | ✓ | ✓ | | "The Gloved One" Costumes Featurette | ✓ | ✓ | | "Memories of Michael" Featurette | ✓ | ✓ | | "Auditions" Dancer Featurette | ✓ | ✓ | | Theatrical Trailer | ✓ | ✓ | | | ✗ | ✓ | | "Thriller" Vignette | ✗ | ✓ | | "Making of Smooth Criminal" | ✗ | ✓ | | BD-Live / movieIQ Features | ✗ | ✓ |

Technically, Extras 1 also enriches our appreciation for the scale and ambition of the This Is It project. Interviews with the show’s creative leads—musical director, lighting designers, choreographers, and set designers—outline conceptual aims: blending Jackson’s greatest hits with theatrical staging, cinematic visuals, and narrative interludes designed to evoke theatrical spectacle rather than a straightforward concert. The extras show planning sessions where cues are mapped, effects are tested, and video elements are synchronized with sound. For students of performance technology and event production, these behind-the-scenes elements function as a case study in modern concert staging, illustrating how technical innovation and logistical coordination translate artistic vision into live experience.

The first disc of the 2-Disc Special Edition and Collector's Edition was packed with substantial content that contextualized the entire production. The documentary team provided insights into how the

: The original promotional trailer for the film's cinema release.

: A two-part documentary ("The Adventure Begins" and "Beyond the Show") that serves as the centerpiece. It details how the 50-date residency was conceived and how Jackson personally directed every technical element, from hydraulics to lighting.

Mastered versions of the hits in the same order they appear in the film . He doesn't yell; he whispers

: A focused look at the elaborate costumes designed by Zaldy. It showcases pieces like the new "Billie Jean" suit embedded with strobe lights and an updated "Thriller" jacket.

Focuses on the technical aspects and Michael's specific creative vision for the performances . Featurettes and Special Content

Michael Jackson's This Is It is a documentary concert film released in 2009, just months after the singer's tragic death on June 25th of that year. The film was produced by Sony Pictures Entertainment and AEG Live, and directed by Kenny Ortega, the director and choreographer for the planned "This Is It" comeback concerts.

Routines for Beat It , Smooth Criminal , and Billie Jean retained their original, definitive shapes but were enhanced with sharper syncopations.